Word Up (142 BPM)
Word Up (142 BPM) ->>> https://urllie.com/2tk7Oi
A tempo marking lets you know the speed (called tempo) at which the composer wants a piece of music performed. Tempo markings are usually written as a word that corresponds with a number, which you will see below, or in beats per minute (bpm). For example, Allegro means fast and is a tempo between 120 bpm and 168 bpm. The composer could write Allegro or 120bpm. Notice that I wrote \"between 120 and 168 beats per minute,\" as it is very common for tempo markings to encompass a range. The musician or conductor is free to choose where in this range the piece is performed.
You'll see tempo markings most often written in Italian. Here is a list of common tempo markings and their metronome mark range. You'll notice that many of the words end with -issimo or -etto. -issimo means \"extremely\" and -etto meaning a \"lesser version\" of. A great example of this is with Largo (slow); Larghissimo is extremely slow and Larghetto is less slow (or faster) than Largo.
For example, at 142 BPM (in NTSC), FamiStudio will know to use a 7-6-6 groove, which mean that the first note will be 7 frames long, then followed by two notes of 6 frames, and the whole thing will repeat until there is a tempo change in the song. But in order to keep the piano roll nice and even, FamiStudio will only only display the minimum values of the groove, 6 in our example. This mean that out of 19 frames in the groove, you only have control over 18. In other words, every 3rd note, FamiStudio will inject an empty frame for which you do not have any control. Effects, instrument envelopes & arpeggios will still advance on these empty frames, but otherwise no new note will be processed. You can tell FamiStudio where to inject this empty frame, by changing the Groove Padding Mode (Beginning, Middle or End).
Songs from another project must use the same audio expansion and tempo mode. Also, please note that instruments, samples and arpeggios, used by the other song will be matched by their name. In other words, instruments with the same names are assumed to be the same. If you project already contains an instrument called \"Piano\" and you try to import a song using another one called \"Piano\", the existing one will be used. You are responsible to uniquely name your instruments if they are truly different.
Whether a music piece has a mathematical time indication or not, in classical music it is customary to describe the tempo of a piece by one or more words, which also convey moods. Most of these words are Italian, a result of the fact that many of the most important composers of the 17th century were Italian, and this period was when tempo indications were used extensively for the first time. You can search for these foreign terms in our music glossary.
When writing in asymmetric meters (i.e. 5/8, 7/8, etc.), composers often use the dotted quarter as a metronome marking pulse (i.e. dotted quarter = 100). You shouldn't always think of the word \"beat\" in BPM as being a quarter note.
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In the original Broadway score, the number opens with Rum Tum Tugger introducing the Magical Mr. Mistoffelees. The song itself alternates between circus/vaudeville-style verses set to 4/4 time, and a wordy patter section set to a frantic asymmetrical 7/8 meter.[1] The wildly different passages provide sharp contrast, with a very brief meter change to 2/4 during each transition. This version of the song has a tempo of 96 beats per minute (\"easy ragtime\") and is primarily composed in the D major key, switching to Eb major for the final verse and patter section (flitting to F major and Db major for four bars each).[2] 59ce067264